Performing Arts
Theatre Review: Medea (Adelaide Festival)
A livestreamed theatre production from Amsterdam that refreshes the ancient story.
Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)
An industrial, abstract dance work surprises with its intimate human touch.
Theatre Review: Black Brass by Mararo Wangai (Perth Festival)
An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.
Opinion: The Greens' plans for the arts in WA
The continual underfunding of the arts does more than deprive arts workers of pay and job security. It deprives our…
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
Theatre Review: The Cherry Orchard (Perth Festival)
The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?
$500,000 grant round open for Indigenous Contemporary Music Program
Applications are now open for a $500,000 grant round as part of the Indigenous Contemporary Music Program aimed to support…
How the New Normal needs to become the Future Normal
While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…
Theatre Review: Whistleblower, The Last Great Hunt (Perth Festival)
Fast-paced, high-stakes interactive improvisation, featuring audience volunteers, as slickly delivered live-stream directed work.
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…