Performing Arts
Saxism or Sexism? Gender diversity in the classical saxophone community
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in…
New theatrical collaboration offers bespoke digital experiences for kids
A new collaboration between Windmill Theatre Co and the innovators behind a purpose-build app has resulted in an immersive theatrical…
The year that was: COVID and the arts a year on from lockdown
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at…
Ask the Mentor: I've forgotten how to network in real life
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and…
A place for ‘wondrous things’: new arts precinct opens to the public
Melbourne’s newest cultural precinct, Collingwood Yards, has opened to the public after a long gestation.
Why CEOs need to improvise in the boardroom
Boardroom etiquette is typically formal. Is that a good thing? A panel of improv-theatre makers and CEOs suggest otherwise, in…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Show tunes ring out in a theatre lit by ghostlight
Unable to showcase their talents in the usual way because of COVID-19, graduating Music Theatre students from VCA have instead…
Eroding our culture: how the Australian arts have been slowly undermined
How have the arts lost their importance? Looking back over some of Currency House’s 62 previous Platform Papers, the outgoing…
On the Move: Latest sector appointments and departures
Brisbane Powerhouse CEO to step down, Festival Creative Directors announced for Sydney WorldPride 2023, and more.