Performing Arts
Dance review: Larsen C, State Theatre Centre of WA
A stunning collusion of minimalist movement and brilliant lighting design, this dance work heightens our awareness of the elemental forces…
Cabaret review: Bite, The Garden of Unearthly Delights, Adelaide Fringe
A queer 'spiegeltent style' cabaret celebrating sex positivity in the face of growing homophobic hate globally.
Theatre review: And Then There Were None, Comedy Theatre
The best selling crime novel of all time receives another stage adaptation.
Theatre review: Never Have I Ever, Fairfax Studio
Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.
Immersive review: Invisible: Darkfield, Adelaide Fringe
From out of the darkness, a voice beckons you to embrace the chaos.
The art of musical comedy
When you add music to your stand-up, you can take your shows to a whole other level...
Musical review: Hadestown, Theatre Royal Sydney
While some elements are impressive, others are undercooked and underwhelming.
Theatre review: Our Monster’s Name is Jerry, Theatre Works
Gothic tropes are explored, but without the promised scares.
Mixed-reality concert review: KAGAMI, Asia TOPA 2025
In this one-on-one encounter with Ryuichi Sakamoto, ‘KAGAMI’ is a tender, yet ambitious, ode to life and death.
The Lion King will return to Sydney in 2026
The new Sydney production will open in April next year at the Capitol Theatre.