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Performing Arts

Splendour in the Grass has confirmed it won't return in 2025.
News

Splendour in the Grass won't return in 2025, showing a festival sector in crisis

Splendour in the Grass has confirmed it won't return again in 2025. Questions abound about the sustainability of the Australian…

A crowd sitting on chairs under the night sky in federation square, an open-air area with a large screen.
News

Federation Square 'Open Air at the Square' experiences are back this summer

The program features silent cinema and blockbuster films on the big screen, as well as musical performances.

Opinions & Analysis

Beyond race, is Country: the MTC's '37'

The restaging of Nathan Maynard's hit play from last year is an important contribution to the ongoing discussion of racism…

A bald man with a beard is wearing a white t-shirt. An array of different coloured scarves are drapped over his shoulder.
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Performance review: The Hanky Code, FRINGE WORLD

What does a hanky have to do with your sexual journey?

A man in black is holding onto a blonde woman dressed in white. She is lying on the ground. To the left is another man looking on.
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Theatre review: Wuthering Heights, Roslyn Packer Theatre

Acclaimed British director Emma Rice brings a divisive adaptation of ‘Wuthering Heights’ to Sydney.

Jessi Ryan, seated and wearing a golden glittery dress and holding onto a mirror ball.
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Performance Review: QRAVE, Abbotsford Convent, midsumma festival

A combined performance and exhibition presenting queer histories.

Natalie Bassingthwaighte in 'Shirley Valetine.' She has frizzy blonde hairstyle and is wearing a pink jumper. She is opening a champagne bottle next to a fridge.
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Performance review: Shirley Valentine, Athenaeum Theatre

Willy Russell’s classic play of an oppressed woman’s mid-life self-discovery is as relevant today as it was in 1986.

An opera diva in a big blue dress has her arms up in the air and a small orchestra behind her. Opera For All. Dimity Shepherd.
News

Providing a pathway to the ultimate art form – Opera for All

The Opera for All concerts are being seen all over the globe. This week it was Melbourne's turn.

A middle aged woman with short slicked back grey hair and round black framed glasses wearing a white shirt and black pants is sitting wither legs crossed and holding a champagne flute. She has a serious expression on her face and is looking slightly off camera. Tracy Mann. Aria by David Williamson.
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Theatre review: Aria, Ensemble Theatre

Putting the kibosh (again) on his ‘retirement’, renowned Australian playwright David Williamson delivers a timely and compelling study of narcissism.

37. A group of men in AFL strips stand on stage and hold one of their group high above them. He has his arm upstretched holding an Australian Rules Football ball.
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Theatre review: 37, Southbank Theatre, The Sumner

Race, community and identity in AFL.

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