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Why opera companies should explain themselves better

Peter Tregear argues more needs to be done to help opera audiences contextualise the art form beyond the vocal spectacular.

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Theatre review: Harry Potter and the Cursed Child

Condensing the theatrical epic from two parts to one results in a sometimes breathless production, but one in which emotion…

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The arts news you may have missed

What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…

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Theatre review: Fast Food

Flipping to reveal the underside of the gig economy.

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Theatre review: Hercules

A modern lens dismantling of the myth-making behind the heroic figure of Hercules.

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Concert review: The Avalanches

An acclaimed album performed live as part of Illuminate Adelaide.

Red velvet curtains are drawn aside to provide a glimpse of an exhibition, with posters and other artefacts visible on walls and in display cases.
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Preserving the memory of Australia’s performing arts heritage

Did you know Australia’s oldest surviving printed document is a theatre playbill? These and other treasures are now showing in…

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Musical review: Driftwood

A story of creativity, family and resilience that revolves about Jewish identity and diaspora.

Features

Why classic cabaret still resonates

The 1930s remains a source of fascination for contemporary artists – why does the era keep drawing us back?

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Opportunities and awards wrap

2024 Adelaide Biennale calls for curators plus winners at Australian Women in Music Awards and finalists of multiple book prizes…

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