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OPINION: Why Bill Henson did not 'cross the line'

Henson’s pictures are clearly works of art, whether you like them or not. Just as clearly, they are not pornographic.…

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Features

Kangaroo Teeterboard

Everyone wants to run away to the circus, right? Well now running away to the circus has become something more…

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THEATRE REVIEW: Miss Julie, Vanilla Productions, Belvoir St Downstairs (Sydney)

Dark, gripping and intense, this production of Strindberg's Miss Julie, directed by Vladislavs Nastavshevs, is given a powerhouse performance by…

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REVIEW: Mathinna, Bangarra Dance Theatre - National

One of the greatest things about Stephen Page’s choreography is the way he is able to tell a story through…

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Features

Top 50 Arts Internships - Part One

Diligently compiled by Cassandra Kiely, Arts Hub brings you an invaluable resource in this comprehensive listing of the top 50…

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REVIEW: Emanuel Gat Dance Company - Adelaide Arts Festival

Forming his company in 2004, Israeli choreographer Emanuel Gat makes his Australian debut with three very personal and distinctive dance…

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Opinions & Analysis

The Harry Potter effect in contemporary culture

It was like a scene out of Harry Potter. One of the many exhibitions that captivated me during my time…

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Features

Art Is Today - An Oz/Indo Celebration of Art and Urban Life

If you are lucky enough to have gotten a $150 ticket to see Bjork perform on the Opera House steps…

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Opinions & Analysis

Music Hub

Considering a career in music? Be part of the Music Hub teaching network in Regional NSW. As 2007 draws to…

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REVIEW: Brindabella , BalletLab (Melbourne)

A contemporary dance adaptation of Beauty and the Beast (La Belle et La Bete) has a clear abundance of imagery…

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