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Marlo Benjamin and Michael Smith. Photo by David Kelly
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Dance review: RED, Queensland Performing Arts Centre

Visually stunning and beautifully choreographed, Dancenorth's RED packs a powerful and disquieting punch.

Features

Radical optimism on the island

The final festival from Lindy Hume saw artists making a range of important statements about their life experiences.

Features

Making the jump from RAW Comedy

What do comedy competitions like RAW give comedians and what’s the next stage in their career after competing?

News

Opportunities and awards

TEDxSydney Youth seeking TikTok creatives, grants and funding opportunities, plus 2023 Telstra Ballet Dancer Awards nominees, children's book shortlist, and…

Reasons To Be Invisible by Katy Warner. Image by Janko Ferlic
News

Regional theatre company, Lab Kelpie, wins prestigious theatre award   

Katy Warner's 'Reasons To Be Invisible' will be developed by Lab Kelpie thanks to the Australian Children’s Theatre Foundation and…

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Giving emerging musicians a break

A new ANU and Folk Festival partnership offers opportunities for emerging musicians.

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Collective effort programs 23rd Adelaide Cabaret Festival

Why settle for just one Artistic Director when you can have nine?

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Dance review: Exposed, Arts House, FRAME festival

Exposed invites audiences to reflect on the importance of community through a thoughtful and magical production.

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Dance reviews: Body of Work + QWERTY, Darebin Arts Centre, FRAME

A double bill sequel that failed to live up to its former glory.

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Dance review: In-Vocation, Dancehouse, FRAME festival

An experiential and experimental production that explores the practice of ritual and experiences of Japanese women.

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