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Opportunities and awards

Art prizes open for entries, plus the inaugural cohort of QSO Academy, finalists of WA Premier's Book Awards, and more!

Consent performing arts
Features

It's not just acting: why consent matters in the performing arts

Performers are often asked to push their boundaries as part of the craft, but this doesn't mean consent is irrelevant.

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Opera review: Satyagraha in Concert, Opera Australia

An excellent show of musicality from cast and orchestra, but a divisive musical style and modern political dilemmas may put…

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Opera review: HMS Pinafore, G&S Fest

Set sail for more Gilbert and Sullivan fun on the high seas with State Opera South Australia and the ASO.

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Performance review: The Poison of Polygamy, La Boite Theatre

A rediscovered morality tale highlighting the Chinese diaspora in Australia and offering some fresh perspectives.

Review: Blood of my blood, Yirramboi

After a last-minute cancellation of one half of the double bill, ‘Blood of my blood’ persevered, echoing its exploration of…

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Opera review: The Pirates of Penzance, G&S Fest

Featuring clever staging, colourful costumes, cheeky comedy and beautiful work from the ASO and SOSA, this production is a delight.

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Theatre review: Cavalcade, The Eleventh Hour Theatre

A thought-provoking, wry revue that invites audiences to engage with theatrical experimentation.

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Performance review: MEERTA – Rise Up! The Ballad of James Arden, Arts Centre Melbourne

The story of Gunditjmara man James Arden as told by his great grandson, Kokatha/Gunditjmara songman David Arden.

Killing Time by Jack Hibberd. An older man in a grey jacket played by Jim Daly sprays water over a coffin towards a long haired older man kneeling on the other side of the coffin, played by Don Bridges. They are on stage in a small poky room set.
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Theatre Review: Killing Time, La Mama Courthouse

Celebrated playwright Jack Hibberd’s absurdist new farce is about time, and how it waits for no one.

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