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Queer and present danger: Part 2

Delve into the new millennium with Crystal Love from the Tiwi Islands and First Nations drag queen Mama MadB.

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Opportunities and awards

Development lab for music journalism, plus People’s Choice winners and funding committed to Byron Writers Festival, and more!

Features

Unprecedented events of Black Summer fires examined in new verbatim play

A new production from playwright Campion Decent and HotHouse Theatre explores the connection between bushfires and climate change.

Features

Local love bolsters the National Indigenous Music Awards event

More than an awards ceremony, the NIMAs, presented in conjunction with Darwin Festival, brings Top End communities together to celebrate…

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Theatre review: Hells Gates, Geelong Arts Centre

A play that set a hopeful tone in the presence of abject hopelessness and told a story steeped in texture…

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The daring future of sovereign Blak storytelling

ArtsHub speaks with YIRRAMBOI Festival and new First Nations theatre company A Daylight Connection, about bold and experimental First Nations…

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Beetlejuice musical announced as Melbourne exclusive

Featuring music and lyrics by Eddie Perfect, the hit Broadway musical opens at The Regent Theatre in 2025.

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Musical review: Guys & Dolls, Chapel Off Chapel

The songs are the same, but this piece of musical theatre offers a cheeky modern twist.

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Theatre review: The Weekend, Belvoir

Charlotte Wood's acclaimed novel is faithfully brought to the stage.

Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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