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Photo of a woman with light brown skin and dark brown hair in side profile, standing to the left of a high countertop and a figurative painting of a suburban house on the wall.
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Opportunities and awards

A $60,000 moving image commission opens, plus the winner of the MECCA x NGV Women in Design and finalists of…

A concert scene with lots of bright lights and backdrop. Four figures in cream can be seen on stage and a back up band behind them.
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Performance review: Björn Again, West Gippsland Arts Centre

The ABBA tribute band are back on a country-wide tour.

Sebastian Geilings, Yilin Kong and Patrick O'Luanaigh from ADT's 'A Quiet Language'.
Features

Turning 60 in style: Australian Dance Theatre leaps from the stage to the gallery wall

AD Daniel Riley describes the birth of ADT and an accompanying exhibition documenting the company’s six decades of dance-making.

A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

Women of the Soweto Choir in colourful clothing.
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Performance reviews: Hope and Gluttony, Adelaide Fringe Festival

A choir full of hope and other assorted goodies in this year's Adelaide Fringe.

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

Irish actor Stephen Rea in Samuel Beckett's 'Krapp's Last Tape' at Adelaide Festival 2025. The photograph depicts Rea, an older fair-skinned man with an unruly shock of greying hair, hunched over an old reel-to-reel tape deck to which he listens anxiously.
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Theatre review: Krapp’s Last Tape with Stephen Rea, Adelaide Festival 2025

A masterful actor performs Beckett’s masterpiece about the inevitable march of time: an unmissable production.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

Three performers wearing black and white are reaching out to a third who is climbing on the stage.
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Ballet review: Relâche: The Last Dance on Earth, Odeon Theatre, Hobart 

A fusion of dance, Dadaist performance art and silent film.

piece of paper with a hole in it and a painted eye looking through. Arts news.
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Arts news watch: this week's trending topics

We report it – you read it. Keep your eye on this week's top arts news stories.

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