Painting
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Q&A: Indigenous Artist Tony Albert on appropriation, identity and Margaret Preston
Using vintage Aboriginal-styled fabrics, artist Tony Albert's new work sits in conversation with Margaret Preston's iconic linocuts and asks the…
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Urgency and care: the flag markers of contemporary exhibition making
From a longing for home to a national snapshot of the new, two exhibitions explore care and belonging from a…
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What getting Aboriginal art advocacy right looks like
Desart does professional development well – from a mentoring Photography Art Prize, to nurturing business skills for arts centres, and…
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Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
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A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
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The rise in First Nations arts jobs
ArtsHub jobs data shows that there has been a strong increase in the number of positions for First Nations professionals…
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Lisa Havilah on programming for the future
Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…
![Installation view of Dale Harding's art.](https://www.artshub.com.au/wp-content/uploads/sites/2/2021/02/2-283583-Main-0x0-0.jpg?w=310)
11 must see First Nations Exhibitions in 2021
From tracking ancient Songlines to the most contemporary artworks by First Nations artists, we pinpoint 11 must see First Nations…
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50th anniversary of dot painting finds fresh connections at Parrtjima
With a 300-million-year-old tradition of storytelling turning to the latest light projection technology and youth vernacular, Australians can find renewed…
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Stats out on Biennale of Sydney; we take a look at COVID’s impact
Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…