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Teal coloured promotional sign with word MÌNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

Features

Peers and portals

A triptych of vignettes about three of Sydney’s emerging oil painters and their voyages of identity.

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Exhibition review: Kayannie Denigan, Belconnen Arts Centre

‘Reflections of Country’ creates a space for Aboriginal women to connect with audiences and share their perspectives.

News

And it could be yours ... well, for a while

From John Olsen to Lindy Lee and Joan Miró to Helen Frankenthaler – the National Gallery is making available top-drawer…

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Exhibition review: Paul Yore and Albert Tucker: Structures of Feeling, Heide Museum of Modern Art

Two artists straddle the generational divide in their works that speak of war and imperialism.

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Exhibition review: Between Waves, ACCA

The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.

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Exhibition review: Twist, Tasmanian Museum and Art Gallery

‘Twist’ is one of those rare exhibitions that hit the mark on both depth and scope, with curious encounters and…

James Drinkwaters paintings in a gallery
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Exhibition review: James Drinkwater, Drill Hall Gallery

Consistently bold and at scale, James Drinkwater's latest exhibition looks at the past 20 years of his paintings as a…

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Exhibition review: Connection, THE LUME

Immersive in every sense of the word, Connection is a wonderland of First Nations artwork, imagery and soundscapes.

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Exhibition reviews: eX de Medici: Beautiful Wickedness and Michael Zavros: The Favourite, QAGOMA

Two Irresistible exhibitions presents a unique double blockbuster of the work of contemporary artists who offer separate yet synergistic practices.

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