Music
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
New series RISING Podcast 2021: the audio guide to Melbourne’s winter festival
A new festival deserves a new approach to the way artists share and discuss the ideas that inform their work.
Music review: Greatest Mozart 1, Canberra International Music Festival
Some very fine playing in an all Mozart program but acoustical issues leave us wanting more.
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Inspiration during isolation: The long-term benefits of artist residencies
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…
Music review: Hand to Earth, Canberra International Music Festival
Hand to Earth offered an extraordinary insight into the ceremonies of our First Nations peoples.
Music review: Do I Matter?, Canberra International Music Festival
Do I Matter? distills the thoughts of some 200 women to a confidential survey about their private thoughts, though the…
Music review: Opening Gala, Canberra International Music Festival
This musical melange of Vienna meets Canberra was well represented in this Opening Gala with classical and contemporary works.
New music project features over 100 musicians and composers
A new classical music project commissioned by the Australian National Academy of Music is pairing elite composers with young musicians…