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15 years of amplifying Tasmanian voices

Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…

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The sing-along festival that encourages community, connection and joy

One of Australia’s first participatory festivals returns this winter with a program that encourages audiences to collectively celebrate the power…

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Exit interview: Kris Stewart, Brisbane Powerhouse

After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…

Features

Introducing new Music Tasmania CEO Keith Deverell

Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…

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New series RISING Podcast 2021: the audio guide to Melbourne’s winter festival

A new festival deserves a new approach to the way artists share and discuss the ideas that inform their work.

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Music review: Greatest Mozart 1, Canberra International Music Festival

Some very fine playing in an all Mozart program but acoustical issues leave us wanting more.

Features

Staging COVID-safe arts events outdoors

Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…

Features

Inspiration during isolation: The long-term benefits of artist residencies

From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…

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Music review: Hand to Earth, Canberra International Music Festival

Hand to Earth offered an extraordinary insight into the ceremonies of our First Nations peoples.

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Music review: Do I Matter?, Canberra International Music Festival

Do I Matter? distills the thoughts of some 200 women to a confidential survey about their private thoughts, though the…

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