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Vale Glenn Wheatley

The musician turned manager was one of the most significant figures in the Australian music industry in the last 50…

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Performance review: The Acoustic Life of Boatsheds, Big hART

Ferry-boarded to encounter original performances inspired by the boatsheds, workshops and waterways of Sydney.

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Playing a part beyond allyship with Black Brass

By recentring the African experience in an Australian context, this production suggests new models of participation and reciprocity.

The four members of the Australian String Quartet sit under a bridge holding their instruments.
Features

Flexible thinking replaces old subscription models

The pandemic has forced new ways of thinking, including new approaches to subscriptions and seasons.

a live theatre show on stage with four performers inside a boxed set.
Features

Safety first at festival time like no other

Insights from producers at Sydney Festival and Mona Foma reflect the fortitude required to stage works during Omicron.

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Insurance plea from music sector during Omicron

Live music events are again being plunged into a series of cancellations, leaving many asking: where is the bottom line?

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Dance review: Mirage, Campbelltown Arts Centre

Dance and music collude to conjure forth refractions of memories.

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Music review: Mikelangelo & The Black Sea Gentlemen, Canberra Theatre Centre

A gloriously hilarious, musically astonishing and emotionally heart-punching memorial to the late David Branson.

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Threatened birdsongs top the charts

As environmental concerns grow, creatives in the music industry are propelling a new path.

Features

fortyfivedownstairs plans to stick around despite development woes

The multi-arts space is threatened by a neighbouring development but has no plans to call it quits.

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