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An audience that's part music festival, part concert gathers under sunset-dappled clouds at the Adelaide Showgrounds.
Features

Classical music, new ideas: growing the fine music audience

Ideas and initiatives for expanding the classical music audience beyond its established, ageing demographic.

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Cabaret review: Bernie Dieter’s Weimar Punk

A potent voice, a sparkly costume and some well honed storytelling equals a night of pure entertainment.

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Concert review: Bach, ACO

A wondrous journey through the impressive musical legacy of the Bach family

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Cabaret review: Meow Meow's Pandemonium

Cabaret diva Meow Meow seduces the Adelaide audience in superb style.

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Concert review: Paul Grabowsky and Andrea Lam

Two of our finest pianists play one of music’s finest pieces.

Features

Why the music of Kate Bush spans generations

Her resurgent popularity shows that Kate Bush is seemingly unfettered by the restrictions of both time nor space, writes Lorna…

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Musical review: Cruel Intentions: The 90s Musical

An anachronistic adaptation of a 90s movie that fails to address outdated attitudes regarding sex and consent.

News

Queensland music trail receives $20M investment

Slated to launch in 2023, the Queensland Music Trails will combine live performance with unique regional destinations to invigorate the…

A group of male and female dancers dressed in white dance against an orange cloth blackground.
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Dance review: Manifesto

Nine dancers keep the beat with nine drummers in this explosive celebration of timing and choreography.

Erin Jean Norvill in a blonde wig as Dorian Gray gazes at himself/herself in a hand-held mirror.
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Festival review: RISING

Capsule reviews of a range of RISING productions including The Picture of Dorian Gray and Stephanie Lake Company's Manifesto.

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