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Performance review: KLASSIK underground

Classical music and modern visuals collide beautifully.

News

Greener music industry the focus of new environmental guide

Sound Country is a step-by-step guide for musicians and bands keen to reduce their carbon footprint and bring fans along…

A dark-skinned woman with curly hair stands in profile to the camera. She is wearing a disposable surgical mask.
Opinions & Analysis

A show to die for

Chronically ill and disabled people are already familiar with judging risks to their lives. What can they teach the performing…

A saxophonist plays his mic'ed up instrument at a studio session.
Features

Not paying royalties for session musos is damaging the music industry

Australia is one of a handful of developed economies that does not support the rights of performers to ongoing royalties,…

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Concert review: Electric Fields + MSO

First Nation's electro pop gets the full orchestral treatment.

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Theatre review: Peer Gynt

A live orchestra accompanies this famous but infrequently performed production with words by Henrik Ibsen and score by Edvard Grieg.

Features

How to run an indie record label that endures

Eclectic indie label Chapter Music is celebrating its 30th year of operations. Founder Guy Blackman discusses the label’s longevity and…

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Musical review: Passing Strange

This transcendent production will blow your mind.

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Concert review: Serenity, ASO

A rich musical smorgasbord with a world premiere performance and a dazzling display by acclaimed violinist Emily Sun.

An audience that's part music festival, part concert gathers under sunset-dappled clouds at the Adelaide Showgrounds.
Features

Classical music, new ideas: growing the fine music audience

Ideas and initiatives for expanding the classical music audience beyond its established, ageing demographic.

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