Music
Theatre review: Peer Gynt
A live orchestra accompanies this famous but infrequently performed production with words by Henrik Ibsen and score by Edvard Grieg.
How to run an indie record label that endures
Eclectic indie label Chapter Music is celebrating its 30th year of operations. Founder Guy Blackman discusses the label’s longevity and…
Musical review: Passing Strange
This transcendent production will blow your mind.
Concert review: Serenity, ASO
A rich musical smorgasbord with a world premiere performance and a dazzling display by acclaimed violinist Emily Sun.
Classical music, new ideas: growing the fine music audience
Ideas and initiatives for expanding the classical music audience beyond its established, ageing demographic.
Cabaret review: Bernie Dieter’s Weimar Punk
A potent voice, a sparkly costume and some well honed storytelling equals a night of pure entertainment.
Concert review: Bach, ACO
A wondrous journey through the impressive musical legacy of the Bach family
Cabaret review: Meow Meow's Pandemonium
Cabaret diva Meow Meow seduces the Adelaide audience in superb style.
Concert review: Paul Grabowsky and Andrea Lam
Two of our finest pianists play one of music’s finest pieces.
Why the music of Kate Bush spans generations
Her resurgent popularity shows that Kate Bush is seemingly unfettered by the restrictions of both time nor space, writes Lorna…