Music
Music review: Rachmaninov: The Symphonies, Adelaide Town Hall
A dazzling display of virtuosic musicianship with the ASO and conductor Andrew Litton.
Australian musicians in dire straits yet Triple J won’t shift its commercial focus
Why does the taxpayer-funded Triple J consistently play commercially oriented pop at drive time instead of Australian indie?
Performance review: Christina Bianco: In Divine Company, Adelaide Cabaret Festival
All our favourite divas came together in one slick show.
Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel
A cabaret tribute to the scandalous 19th century dancer and performer.
Singapore Symphony Orchestra set for 2025 Australian debut
Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…
Performance review: When Night Comes, The Austral
A multisensory immersive experience that blends theatre and cocktails.
Music review: Yves Tumor, RISING Festival, The Forum
An enigmatic performer-singer, Yves Tumor wowed the audience with experimental sonic expression.
AI doesn’t mean human-made music is doomed. Here’s why
Human music-making isn’t going anywhere, argues the University of Melbourne's Alexander Crooke.
Performance review: Limbo – The Return, The Grand Electric
Strut & Fret hits the mark with this bacchanalian mix of cabaret, circus and acrobatics.
Empowering refugee artists through music and culture
Refugee artists performing at the Spirit of Welcome Community Festival on 16 June will be renumerated at industry rates.