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Red velvet curtains are drawn aside to provide a glimpse of an exhibition, with posters and other artefacts visible on walls and in display cases.
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Preserving the memory of Australia’s performing arts heritage

Did you know Australia’s oldest surviving printed document is a theatre playbill? These and other treasures are now showing in…

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Exhibition review: Who are you: Australian Portraiture

Over 200 works speak to the various forms of Australian identity.

Brett Cuthbertson in AGNSW packing room
Career Advice

Exit interview: Brett Cuthbertson, Head Packer, AGNSW

Having been in charge of the receiving and hanging of artworks at the AGNSW for 41 years, the sector farewells…

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Fashion's Trojan Horse has got the power

Iordanes Spyridon Gogos’ runway show at the Powerhouse reimagines fashion as a hypercoloured, hypercollaborative adventure beyond boundaries.

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What digital futures mean for galleries and museums

Digital shouldn’t be temporary pandemic measures but instead aim to future-proof the cultural sector with a change of vision, according…

Features

4 ways to drive institutional change

Cultural institutions can be stubborn beasts when it comes to internal change.

museum volunteers recording stories of objects
News

How digital projects changed the future of storytelling

Storyplace is a new website that has changed the way regional galleries share their collections.

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Exhibition review: Neoteric

An exciting showcase of 20 mid-career South Australian artists.

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Exhibition review: INVISIBILITY

An exhibition that melds art and science, with a deeper look into data gathering and control.

News

Asia Pacific artists headline Sydney Modern commission

AGNSW commissioned nine of the most current artists of our times to create site-specific works for Sydney Modern, due to…

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