Mixed Media

Exhibition review: Cutting Through Time – Cressida Campbell, Margaret Preston, and the Japanese Print, Geelong Gallery
An examination of the influence of Japanese woodblock prints on two prominent Australian artists.

The slippery nexus between sculpture and design and the agency of materials
Canberra Museum and Gallery has a new exhibition: Materiality… but not as we know it.

Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust
When kinship is involved – it shows.

Exhibition review: Odalala, nireekshane and Uyirvu, Arts House
Australian and international artists examine histories of caste, migration, gender and sexuality.

Exhibition review: Opening Exhibition, Artemisia Gallery Space
New independent art gallery in Windsor, Melbourne, opens with an eclectic collection of visual art.

Charcoal exhibition united through art-making
Charcoal symbolises renewal, and a new exhibition explores the medium for Reconciliation Week.

Multimedia review: Sea, Salt and Silk, Abbotsford Convent
An immersive event combining live sound, video and participatory installations with works using paper and salt.

Exhibition review: Ross & Rothwell: in the same boat, Ngununggula
Joan Ross and Caroline Rothwell make for a perfect pairing, in an edgy exhibition that rattles colonial history and legacies.

Artist helping Venice Biennale move beyond its history
This year’s Venice Biennale calls for greater diversity and change, and one of its exhibiting artists is part of that…

Museum takes a stand on displaying body parts
The University of Sydney’s Chau Chak Wing Museum has chosen to remove mummified body parts from display.