Galleries
Ever Present: a lesson on comparative histories
What can be learnt when First Peoples' art from Australia and Southeast Asia are placed in conjunction?
Why are climate activists glueing themselves to paintings?
Climate activists are targeting priceless art to spread their message. Here's why the seemingly absurd act is more than a…
Digital activation the focus at regional arts centre
Recently opened in March, Singleton Arts and Cultural Centre receives ‘future-focused’ investment to up its digital offerings.
Auslan storytellers building accessibility from the ground up
How can decolonisation strategies empower Deaf communities and help build an all-inclusive exhibition? We spoke with two artists leading this…
Exhibition review: CIAF 2022 satellite program roundup
An immersive satellite program celebrates First Nations creativity while investigations into Blak/Black identity draw on humour and criticality in equal…
Meet MAGNT’s new Director
Strong experience with blockbuster exhibitions and a close eye on Indigenous art and culture inform Adam Worrall’s views.
Art donor was a Nazi: what Wollongong did next
A lesson in provenance and updates from Council following revelations that the late Wollongong Art Gallery donor Bob Šredersas was…
Gaze and gesture: the power of moving portraits
An Adelaide-exclusive exhibition of Robert Wilson’s video portraits explores the movement that lies in stillness.
Japanese avant-garde ceramicists test the limits of clay
Documenting a shift from function to form, Catherine Speck looks at AGSA’s latest exhibition on Japanese ceramics.
ARIs 'worried about their livelihoods' as pandemic drags on
What concerns are artist-run-initiatives in Adelaide and Canberra facing post lockdowns?