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From calling to career: mastering the art of writing for stage and screen

Playwright and screenwriter Emme Hoy describes how NIDA’s Master of Fine Arts (Dramatic Writing) helped her hone her craft and…

Illustration with a person wearing a red hood standing against a smoky background with large blocks of red and grey. The atmosphere is dystopian.
Opinions & Analysis

Is fear around AI doing more harm than good?

Our anxiety is pitching artists against AI when collaboration and exploration are what's needed.

Features

Australian film censorship and the movies that made us sweat

When it comes to the line between artistic freedom and consumer protection, Australia has often waddled clumsily, and sometimes to…

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

Opinions & Analysis

Spider-Man: Across the Spider-Verse pokes fun at contemporary art

A brief art history rundown of the new 'Spider-Man: Across the Spider-Verse’ movie and it’s clever commentary on contemporary art.

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New two-year acting intensive offers affordable fast-track to industry

The National Drama School’s Advanced Diploma of Acting has reduced fees by a third by concentrating the course into a…

Features

Carmen producer Rosemary Blight on Millepied’s bold reimagining of Bizet’s opera

Australian screen producer Rosemary Blight reveals that Paul Mescal didn't know how to dance, box or play guitar before filming…

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The heady trajectory from the corporate world to Cannes and Netflix

An alumna from the Australian Film Television and Radio School (AFTRS) reflects on her journey post graduation.

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Features

A lesson in activism from US photographer Nan Goldin

NGA’s acquisition of Nan Goldin’s iconic suite of 126 photographs ‘The Ballad…’ offers lessons in documenting truth in times of…

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Film review: Audrey Napanangka

This Australian documentary of Audrey Napanangka provides an expansive yet intimate portrait of a family living between two worlds.

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