Film
Building back better: Disability arts one year on from COVID
A panel of leading arts and disability advocates at this year’s Arts Activated Conference unpacked what we’ve learnt from COVID…
$259K Screenrights Funding propels innovative collaborations
Diversity Arts Australia and Back to Back Theatre are among the latest funding recipients to foster new projects in the…
Advocacy that’s local, informed and connected: from research to action
In times of crisis, how can we use research for big picture change?
Celebrating creativity on social media during a pandemic
Amidst ongoing closure announcements, the Art Gallery of NSW used social media to help a community connect through a shared…
Palestine and guerrilla memorials in the digital age
Lujayn Hourani considers the effectiveness of the game-like temporal memorial, Re: Visit Palestine, in tandem with their own personal memories.
Supporting Indigenous Filmmaking with Australia's audio-visual heritage
The Morrison Government's new grant will allow the National Film and Sound Archive of Australia (NFSA) to commission an Indigenous…
MIFF: The six films to watch, according to programmer Kate Jinx
These picks from the 2021 Melbourne International Film Festival are worth your time, and more importantly, there are tickets available.…
Exit Interview: Kristy Matheson, Director of Film Programs, ACMI
Kristy Matheson, Director of Film Programs at ACMI, reflects on her challenging job as she moves to Scotland.
Sydney Film Festival announces new 2021 dates in light of ongoing lockdown
Sydney Film Festival has pushed its 2021 event to the far end of the year in response to ongoing COVID…
How to be a location manager
Steve Brett is a veteran location manager. He offers some pungent insights about the job, its pains and pleasures, and…