Film
Curator, gallerist and educator: a platform for decentralised art
The Web3.0 art space is far from being a decentralised utopia. ArtsHub examines the role that Culture Vault plays in…
Digital activation the focus at regional arts centre
Recently opened in March, Singleton Arts and Cultural Centre receives ‘future-focused’ investment to up its digital offerings.
National Theatre Live: Prima Facie is stunning on screen and stage
Jodie Comer's performance in this filmed production of the London West End play is exceptional in every way.
Gaze and gesture: the power of moving portraits
An Adelaide-exclusive exhibition of Robert Wilson’s video portraits explores the movement that lies in stillness.
Does changing the score change a film? Hear My Eyes with Haydn Green
Whether it's a cerebral thriller or a sensory drama, Hear My Eyes is determined to change the film-going experience to…
How stories shape the world (and how to get better at telling them)
Storytelling, and helping other people hone their storytelling skills, are enormously important for Joe Hepworth, NIDA’s new Head of Writing…
Metro magazine, a pantheon for Australian film critics, finally moves online
Australia’s oldest film and media magazine will now appear in both print and online, offering access to its extensive back…
Some practical steps to truth-telling in museums
Calls for First Nations truth-telling are growing louder in Australian politics. What does that look like within the museum sector?
Occupy White Walls is democratising art with video games
Occupy White Walls is a game that lets you build your own art gallery, and could be the newest frontier…
Natasha Wanganeen: ‘Sci-fi films saved my life’
Actor-writer-producer Natasha Wanganeen takes us behind the scenes on Bunker: The Last Fleet, a dystopian, intergalactic reimagining of first contact…