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ACMI VR Commissions push against the limits

As Tully Arnot’s latest VR project is unveiled at ACMI, ArtsHub takes a look at how the Mordant Family Commission…

Features

How AI art benefits from a human touch

Instead of AI threatening creativity and originality, artists have the power to examine its implicit biases and steer its direction.

Features

Global report takes pulse on Creative Industries

How does Australia’s view of Creative Industries fit with UNCTAD – the World Congress on Creative Economy’s view?

Features

Is tech changing the legacy of theatremakers?

While some remain sceptical of live-streaming and digital theatre, that documentation can become invaluable for next generation theatremakers dealing with…

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Automated plagiarism: Furore over ‘computer’ winning art prize

Turf wars between artists and AI generators - a topic that is the tip of an iceberg worthy of a…

Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando
Features

Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.

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Festival that makes the digital a physical experience

BLEED ‘22 stages its second iteration in a hybrid model to examine what digital works can teach us about physical…

Ron Mueck AR project on iphone outside NGV
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Discover ‘invisible’ AR art around Melbourne

AR is a great way to have interactive art experiences, without the worries of a pandemic.

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Curator, gallerist and educator: a platform for decentralised art

The Web3.0 art space is far from being a decentralised utopia. ArtsHub examines the role that Culture Vault plays in…

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Digital activation the focus at regional arts centre

Recently opened in March, Singleton Arts and Cultural Centre receives ‘future-focused’ investment to up its digital offerings.

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