Digital
Mitch Fifield: Why Catalyst is different
As the sector assessed the pros and cons of the new Catalyst model replacing the NPEA, the Minister explained his…
How to make the most of APAM
The Australian Performing Arts Market (APAM) is an annual chance to showcase your wares. A gig on the official program…
Sector responses to Catalyst range from caution to dismay
Although some funding has been restored to the AusCo concerns about process, impartiality and doubling up on resources remain.
Creative Victoria announces funding changes to assist independents
The Organisations Investment Program has been overhauled to better support the s2m sector and independent artists; new regional support programs…
Catalyst Guidelines: S2Ms win, independence loses
Guidelines have been release for Catalyst, as the Government backs away from the NPEA. They are a win for small-to-mediums…
Is it over? How protest killed the NPEA
After six months of campaigning, the arts community has succeeded in getting George Brandis' National Program for Excellence in the…
Leo Schofield's 10 qualities that make a successful festival
Directing a dozen arts festivals has given Leo Schofield a clear view on the secrets to ensuring a festival works.
Do you need a figurehead?
Patrons or ambassadors are de rigueur for many arts organisations, but what role do they play, and how do you…
Flying Fruit Fly Circus secure $4.4 million in federal funding
The renowned regional company has secured a new, six-year funding partnership with the Australian Government.
Are you a worker bee or an inspiring arts leader?
Leadership is a different game from managing and doing. It is a way of being much more than a job…