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Dance Review: SITU-8, State Theatre Centre of WA

The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true…

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Dance Review: The Nutcracker, WA Ballet

After such long confinement His Majesty's grand old theatre opens its doors once again.

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Dance Review: GALA, WA Ballet

Aurélien Scannella celebrates eight years as Artistic Director of the West Australian Ballet company.

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Adelaide Fringe at 60

Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…

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Review: Beethoven 9, Circa and Cheetham, Arts Centre Melbourne (VIC)

Just as Beethoven’s Ninth blends instrumental music and choral music to thrilling effect, so too the fusion of orchestral music…

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Can outdoor events develop dance literacy in new audiences?

Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…

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Review: Hofesh Shechter’s Grand Finale, Sydney Opera House (NSW)

A weighty, admirable yet bleak work for the end of days.

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Back from the brink: Ausdance National saved from closure

Despite heralding its own demise in August, advocacy body Ausdance National has been saved by its own members.

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Tomorrow Makers, Dancenorth (Townsville QLD)

The Townsville company’s last production of the year gave insights into the dancer’s creative processes.

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Eight new dance commissions compete for $50,000 Keir Award

The biennial Keir Choreographic Award is dedicated to the commissioning of new choreographic work and promoting innovative, experimental and cross-artform…

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