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Roland Peelman image by Peter Hislop
Features

The vision needed to curate a successful music festival

Roland Peelman, Artistic Director of the Canberra International Music Festival, gears up to present a powerful 2023 festival with a…

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Dance review: Somewhere at the beginning, Arts House

An autobiographical solo work from a performer considered the mother of contemporary African dance.

Features

Rethinking performance, exhibition and documentation through dance

From dance experimentations in the 70s to more recent performance-exhibitions, what does it mean to look at dance in a…

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How an arts education helps grow mentally healthy children

Opening your own Stagecoach Performing Arts franchise can grow opportunities for young people and help them build the skills they…

Marlo Benjamin and Michael Smith. Photo by David Kelly
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Dance review: RED, Queensland Performing Arts Centre

Visually stunning and beautifully choreographed, Dancenorth's RED packs a powerful and disquieting punch.

Features

Radical optimism on the island

The final festival from Lindy Hume saw artists making a range of important statements about their life experiences.

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Dance review: Exposed, Arts House, FRAME festival

Exposed invites audiences to reflect on the importance of community through a thoughtful and magical production.

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Dance reviews: Body of Work + QWERTY, Darebin Arts Centre, FRAME

A double bill sequel that failed to live up to its former glory.

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Dance review: In-Vocation, Dancehouse, FRAME festival

An experiential and experimental production that explores the practice of ritual and experiences of Japanese women.

Features

Dancing into the gallery: Lucy Guerin Inc turns 21

LGI’s NEWRETRO remixes 21 years of choreographic practice.

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