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A dance performance at where dancers wear an exoskeleton of prosthetic limbs. The stage is illuminated in white light and five of the dancers are conjoined, facing a single dancer with their back to the camera. U>N>I>T>E>D
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Dance review: U>N>I>T>E>D, Asia TOPA 2025

A futuristic epic that turned philosophical.

Sebastian Geilings, Yilin Kong and Patrick O'Luanaigh from ADT's 'A Quiet Language'.
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Turning 60 in style: Australian Dance Theatre leaps from the stage to the gallery wall

AD Daniel Riley describes the birth of ADT and an accompanying exhibition documenting the company’s six decades of dance-making.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

Three performers wearing black and white are reaching out to a third who is climbing on the stage.
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Ballet review: Relâche: The Last Dance on Earth, Odeon Theatre, Hobart 

A fusion of dance, Dadaist performance art and silent film.

A large screen depicting a black and white screen showing a group of people in a field. There are musicians playing in the foreground.
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Performance reviews: Samsara: A Cine-Concert, Ultimate Safari, LEGENDS (of the Golden Arches) Perth Festival

Three short-run shows at Perth Festival explore a range of topics and mediums.

Three performers. One standing up, two crouch on the ground. They form a triangle shape.
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Dance review: Bunyi Bunyi Bumi, Bunjil Place, Asia TOPA 2025

A dance performance showcasing the interconnectedness of cultures.

ballet companies: a male-female ballet pas de deux posing in a white tutu costume against a bright pink backdrop. Their pose is mirror imaged on each half of the photo.
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Cost crises and funding parity issues for ballet companies outside Sydney-Melbourne bubble

Two major ballet companies say they are not receiving equitable government funding support. How much is their location to blame?

A man is standing, with a woman on top of him, He's holding up a sign with 'Love" on it. There is a crowd around them holding up signs with other words including 'Power', 'Mind', "rest' and "Sense'
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Dance review: Perth Moves: Manifest, Forrest Place, Perth Festival

Moroccan-Belgian choreographer Sidi Larbi Cherkaoui brings his creative vision to Perth.

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

'Garry Starr: Classic Penguins' at The Garden of Unearthly Delights, Adelaide Fringe 2025. A photoshopped image of a fair-skinned man with curly black hair and a neat beard wearing an orange-coloured Elizabethan ruff. His arms from the elbows down, and his body from the waist down, have been photoshopped to appear like a penguin. He leans on his left flipper and sits on his left penguin hip, his orange penguin feet and right flipper raised.
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Performance reviews: Garry Starr: Classic Penguins and Thunderstuck: A Night of Classic Rock, Adelaide Fringe 2025

From brilliant, in-your-face clowning to contemporary dance performed to a virtuosic live violin score of rock classics, two fascinating but…

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