Dance
Theatre review: Tae Tae in the Land of Yaaas!, QPAC
This new work by the ever-inventive shake & stir theatre co. is a joyous and heart-warming follow-up to 'Fourteen', their…
Site-responsive arts biennale enters exciting growth phase
An immersive arts biennale is steadily strengthening its place within the Australian contemporary arts scene.
Performance review: idk, Carriageworks
A beguiling show exploring boundaries with three performers in a dance narrative.
Site-specific dance in the digital world
How are artists and dance companies creating a sense of place, physicality and location across a screen?
Overcoming threshold anxiety
Geelong Arts Centre’s redevelopment opens the venue up to the public eye, in a way that’s deliberately designed to ensure…
Creating a new Australian musical through a personal story filled with love and joy
Keir Nuttall and Kate Miller-Heidke’s 'Bananaland' promises musical fun and side-splitting hilarity with some underlying serious themes.
Dance review: AGE, Theatre Royal Studio, Hobart
A youth dance troupe in Tasmania offered a tender and energetic performance.
Two artists awarded Co3+STRUT dance fellowships
Laura Boynes and Georgia Van Gils share fellowships totalling $90,000 in a new initiative to enrich WA's independent dance ecology.
Dance review: The Other Side of Me, Darwin Festival
The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.
Dance review: 4/4, Merlyn Theatre
Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.