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Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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Dance review: 4/4, Merlyn Theatre

Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.

Four performers dance between mirror plinths in a gloomy space
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Dance review: Shifting Perspectives, Queen’s Theatre

Shifting Perspectives was a beautiful mind-bending experience that expanded and stretched our reality. 

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Empowering mid-career artists to create bold new work 

The journey of an artist often requires a "day job" to maintain the freedom to pursue their creative practice. By…

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Ballet review: Giselle, Arts Centre Melbourne

The Tokyo Ballet production of this beloved classic is enough to prove the existence of magic.

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How ballet makes well-rounded performers

Pre-professional courses at the National Ballet School gear students for a sustainable career with diverse pathways.

News

The Australian Ballet dancers pivot to industrial action

Stalled pay negotiations reflect the financial woes of the country's leading ballet company.

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Dance review: Jewels, Arts Centre Melbourne

Pretty and charming traditional ballet, though it lacks gravitas.

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Theatre review: The Wizard of Oz, The National Theatre

A loving adaptation of an old favourite.

Salamander, Brisbane Festival. Image: Damien Bredburg
Features

Commitment to community at the Brisbane Festival

Celebrating home-grown talent, the Festival also includes significant international collaborations.

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