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A performer in a white jumpsuit with rainbow trim. Swirling around them are two rainbow ribbons.
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Performance review: Yummy: Joy Machine, FRINGE WORLD

High-voltage drag cabaret.

Luke Belle as Adore Händel. They are have a white beehive wig on, white makeup and are wearing a pink costume.
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Performance review: Adore Händel’s Little Black Book, FRINGE WORLD

High art, high camp and hijinks.

A man, Andrew Hamilton, in a green top. He is smiling and holding a microphone.
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Comedy review: Jokes About the Time I Went To Prison, FRINGE WORLD

'Fear and Loathing in Las Vegas' meets 'Shawshank Redemption?'

Samuel Barnett, a young man in a white t-shirt and pink short sleeve shirt is clutching a microphone on stage. The curtains behind him are red.
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Comedy review: Feeling Afraid As If Something Terrible Is Going To Happen, Arts Centre Melbourne, Midsumma Festival 2025

A dark comedy about queer romance, mental health and emotional vulnerability.

A sequence from Tra Mi Dinh’s 'Somewhere between ten and fourteen', which features in Sydney Dance Company's 2025 season. The photo depicts four barefoot dancers in blue coveralls dancing on a blue-lit stage. The dancer on the far left has their legs spread, their right arm raised and their left arm extended horizontally; the dancer on the right, who is the focus of the focus, stands in a half-crouch, her arms extended to the right and her right foot bent so that the side of the foot rather than her sole is touching the stage.
Features

ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the 2025 season announcements you may have missed.

Three men sitting at a table in front of a stable door in a production of 'The Merry Wives of Windsor.'
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Theatre review: The Merry Wives of Windsor, Royal Botanic Gardens Melbourne

Another tried and true staging of a Shakespeare comedy from The Australian Shakespeare Company.

Two men and a woman dress up as three little pigs. They have pink pants on and pig ears. They are wearing a red, green and blue top respectively in 'The 3 Little Pigs.'
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Musical review: The 3 Little Pigs, National Theatre Melbourne

An adequate production, but one that could have been better.

A woman wearing a Santa costume with enormous layers of skirt surrounding her.
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Performance review: F Christmas, Malthouse Theatre

The antidote to traditional Christmas schmaltz.

A photograph of comedian Zoë Coombs Marr, a Caucasian woman with long brown hair and a short-sleeved brown T shirt. She is resting her chin on one hand, but both hands are wearing oversize gloves that look like real hands.
News

Hobart Festival of Comedy returns in 2025 with line-up now announced

After a successful inaugural event this year, the Comedy Festival will return in 2025 to showcase local and international acts.

Two men. One is standing (Drew Forsythe), one is seated at a piano (Phil Scott) in a production of 'The End of the Wharf as we know it.'
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Performance review: The Wharf Revue: The End of the Wharf As We Know It, Seymour Centre 

After 25 years, The Wharf Revue – famous for lampooning Australian politicians – is presenting its final show.

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