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Acting

Three young girls in school uniform are holding back their teacher, who's dressed in white, with a straw hat.
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Theatre review: Picnic at Hanging Rock, Drama Theatre, Sydney Opera House

The Sydney’s Theatre Company’s production lives up to the reputations of both the well-regarded book and the classic film.

Close up pf priest collar.
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Theatre review: The Christian Brothers, Holden Street Theatres, Adelaide Fringe Festival

A well-executed and chilling account of Catholic education in days gone by.

Caroline Lee, with brown hair in pony tail and wearing blue top, is tussling with Peter Houghton, a man with grey hair in a suit. Honour.
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Theatre review: Honour, Red Stitch Actors’ Theatre

An excellent production of a 30-year-old play, but it does feel a bit dated.

A man (Borja Maestre) and a woman (Sarah Peirse) are hugging. They are in spotlight. There is darkness around them.
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Theatre review: Song of First Desire, Belvoir St Theatre

A compelling play about the inheritance of fascism in Spain.

A man and woman facing each other. They are both dressed in Regency costumes. In the background are four other characters moving chairs around.
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Theatre review: Pride & Prejudice, Playhouse Theatre, QPAC

Jane Austen’s 'universally acknowledged' novel has been newly adapted by Queensland Theatre in a stunning production.   

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

Two women and five men inside a house. You can see a darkened sky outside.
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Theatre review: And Then There Were None, Comedy Theatre

The best selling crime novel of all time receives another stage adaptation.

A young man holding onto a young woman. The lgiht around them is night-blue.
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Musical review: Hadestown, Theatre Royal Sydney

While some elements are impressive, others are undercooked and underwhelming.

Two figures in shadowed darkness in the middle of the stage holding onto each other. Heavy drapery surround them with red tones.
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Theatre review: Our Monster’s Name is Jerry, Theatre Works

Gothic tropes are explored, but without the promised scares.

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