Acting
Festival review: An Evening Without Kate Bush, Edinburgh Festival Fringe
Kate Bush may not be present on stage but Sarah-Louise Young does an excellent job of channelling the singer.
Theatre review: Hangmen, New Theatre
The first Australian production of Martin McDonagh’s 2015 play sees high drama and black comedy come together in a gripping…
Festival review: Tending, Edinburgh Festival Fringe
A play that offers insight into the daily work of nurses in the UK's National Heath Service.
Festival reviews: Cruel Britannia: After Frankenstein, Ugly Sisters, Edinburgh Festival Fringe
Two shows by trans women invite the audience to experience what it's like to be feared and ostracised.
Festival review: American Whore Story, Edinburgh Festival Fringe
Working and hustling your way to Hollywood: Naomi Grossman goes confessional.
Musical review: Murder for Two, Arts Centre Melbourne
Premiered in Australia in Sydney last year, this musical returns to bamboozle and amuse another round of crime mystery fans.
Theatre review: The Heart Whispers and Whirls, Shirley Burke Theatre
A multidisciplinary ensemble of international women sharing their heritage through poetry, folk songs, dance and shadow puppetry.
Festival review: It's the Economy, Stupid!, Edinburgh Festival Fringe
Unpacking capitalism and the economy, thanks, in part, to the use of mould and Monopoly.
Festival review: Ni Ni Madre, Edinburgh Festival Fringe
Arturo LuÃz Soria channels his feisty Brazilian mother to explore the complexity of love and trauma.
Festival review: A Letter to Lyndon B Johnson or God: Whoever Reads This First, Edinburgh Festival Fringe
An absurdist two-hander that moves from childhood games of war to actual battlefields.