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Irish actor Stephen Rea in Samuel Beckett's 'Krapp's Last Tape' at Adelaide Festival 2025. The photograph depicts Rea, an older fair-skinned man with an unruly shock of greying hair, hunched over an old reel-to-reel tape deck to which he listens anxiously.
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Theatre review: Krapp’s Last Tape with Stephen Rea, Adelaide Festival 2025

A masterful actor performs Beckett’s masterpiece about the inevitable march of time: an unmissable production.

Two young girls in school uniform.
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Theatre review: The Children’s Hour, Old Fitz Theatre

Ninety years on from when Lillian Hellman first wrote the play, its story is still relevant.

A large screen depicting a black and white screen showing a group of people in a field. There are musicians playing in the foreground.
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Performance reviews: Samsara: A Cine-Concert, Ultimate Safari, LEGENDS (of the Golden Arches) Perth Festival

Three short-run shows at Perth Festival explore a range of topics and mediums.

Three young girls in school uniform are holding back their teacher, who's dressed in white, with a straw hat.
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Theatre review: Picnic at Hanging Rock, Drama Theatre, Sydney Opera House

The Sydney’s Theatre Company’s production lives up to the reputations of both the well-regarded book and the classic film.

Close up pf priest collar.
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Theatre review: The Christian Brothers, Holden Street Theatres, Adelaide Fringe Festival

A well-executed and chilling account of Catholic education in days gone by.

Caroline Lee, with brown hair in pony tail and wearing blue top, is tussling with Peter Houghton, a man with grey hair in a suit. Honour.
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Theatre review: Honour, Red Stitch Actors’ Theatre

An excellent production of a 30-year-old play, but it does feel a bit dated.

A man (Borja Maestre) and a woman (Sarah Peirse) are hugging. They are in spotlight. There is darkness around them.
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Theatre review: Song of First Desire, Belvoir St Theatre

A compelling play about the inheritance of fascism in Spain.

A man and woman facing each other. They are both dressed in Regency costumes. In the background are four other characters moving chairs around.
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Theatre review: Pride & Prejudice, Playhouse Theatre, QPAC

Jane Austen’s 'universally acknowledged' novel has been newly adapted by Queensland Theatre in a stunning production.   

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

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