Acting
Theatre review: Macbeth, Roundhouse Theatre, La Boite Theatre
Seen via the lens of the prophetic three witches, a reimagined 'Macbeth' offers much promise, but fails in its vision…
Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival
Two Adelaide Festival shows look to the past, but with varying degrees of success.
Performance review: Dropped in It: Crime Scene Improvisation, Adelaide Fringe
An improvised crime scene comedy where one-liners and terrible puns could prove deadlier than any weapon.
Theatre review: Henry 5, The Playhouse, Sydney Opera House
Bell Shakespeare kicks off its 2025 season with this modern and accessible adaptation performed by a fresh-faced cast.Â
AI is changing the game for voice actors – and not in a good way
Video game voice actors are feeling weighed down by the ever growing presence of AI.
Musical review: MJ The Musical, Sydney Lyric Theatre
‘MJ the Musical’ is a dazzling production. But be warned: you may come away from it feeling uncomfortable, sad and…
Performance review: Sim Chi Yin, One Day We’ll Understand, Footscray Community Arts, Asia TOPAÂ
A multimedia performance exploring memory and inheritance.
Performance review: Night Night, State Theatre Centre WA, Perth Festival
A magical-realist show about the origins of life on earth.
Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival
The psychological ravages of war laid bare in unexpected ways.Â
Theatre review: Berlin, The Stables Meat Market, North Melbourne
Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.