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‘Big Name, No Blankets’ premiered at Sydney Festival 2024. Photo: Brett Boardman. Close up of some of the cast of Big Name No Blankets, a man in front has his arms up holding clapsticks, bright stage lights in the background give the feeling of an epic rock show.
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Performance review: Big Name, No Blankets, Sydney Festival

Sydney Festival’s electrifying show about the Warumpi Band whose music changed lives, is one that truly rocks.

Pillow Fight. Against a black backdrop man and woman sit on a bunk bed surrounded by toys and puppets. Beside the bunk are boxes with labels like ’stuff’, ‘junk’, ‘Shane’s cool stuff’ and ‘Nadia’s baby stuff’.
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Theatre review: Pillow Fight, Claremont Showground, Perth

A puppet show about sibling love and rivalry covers a vast terrain of adventures.

Malevo. A line-up of five bare-chested males raise their drumsticks above their heads and over the drums attached in front of them.
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Performance review: Malevo, Sydney Opera House

The South American all-male dancing and drumming troupe makes its Australian debut.

Feast. Image is author's headshot on left, a woman with long dark hair, a fringe and red lipstick, looking at the camera three-quarters on. On the right is a book cover with a pair of bare legs against a net curtain and balloons
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Book review: Feast, Emily O'Grady

An unsettling, creepy story about dysfunctional families and slowly unravelling secrets.

Australian Gothic Tales. Five men and women stand in front of a red curtain looking at the camera and smiling.
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Theatre review: Australian Gothic Tales, The Butterfly Club

A lacklustre presentation of Australian stories that sidesteps Gothic elements entirely.

Australia has a black history. Image is a photograph of a group of black clad protesters in the streets of Sydney. A young woman with braided hair, a Black Lives Matter t shirt and a placard is in the centre.
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Exhibition review: Barbara McGrady, Australia Has a Black History, University of Sydney

A photography exhibition that highlights 30 years of Indigenous history on Gadigal country.

Salote Tawale, ‘I remember you’, installation view at Carriageworks, 2023. Photo: Zan Wimberley. Installation of a Fijian home in a white-cube gallery space. At the front is a free-standing painting that shows two young children with brown skin and their faces hollowed out.
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Exhibition review: Salote Tawale, Carriageworks

An exhibition that transports viewers and explores how objects become vessels of identity.

Nat's What I Reckon. Book cover of recipe book with cheeky, long haired cook in a black T shirt and with a nose ring, pierced lower lip and neck tattoos, and the same author's headshot on the right.
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Book review: Smash Hits Recipes, Nat's What I Reckon

Simple, easily made recipes, served with a side of potty-mouthed humour and cooking tips.

If there is a butterfly that drinks tears. on the left is an author's shot of a woman with short brown hair dressed in black and holding her arm in front of her. There is a blue and green backdrop. On the right is a book cover with an abstract pale image of a vertical line and large grey dot.
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Book review: If There Is a Butterfly That Drinks Tears, Natalie Damjanovich-Napoleon

A poetry collection that meditates on the complexities of motherhood.

'You're a Good Man, Charlie Brown' at Geelong Arts Centre. Photo: Michael Mason. Six performers dressed in colourful attire on stage with the background of a cartoonish park. They are posing in a group with happy and cheeky expressions.
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Theatre review: You're a Good Man, Charlie Brown, Geelong Arts Centre

A vibrant production of the Charlie Brown franchise offers outstanding performances, but some outdated tropes.

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