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Two men, look across at each other on the set of 'Werewolf'. One in a suit, one in casual street gear. The steps the are standing are full of graffiti and rubbish.
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Theatre review: Werewolf, Arts Centre Melbourne

A clash of ideologies brings forth monstrous results.

installation in gallery of machine with charcoal drawing on round marble. Dobell Biennial
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Exhibition review: Infinite: Dobell Australian Drawing Biennial 2024, AGNSW

A fabulous exhibition that expands our understanding of what drawing can be.

A black and white photo of magician, Lachlan Wilde. There is smoke covering his face.
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Magic review: Mysterons, The MC Showroom

A blend of storytelling and magic.

Installation view of 'REKOSPECTIVE: The Art of Reko Rennie' at The Ian Potter Centre: NGV Australia. Paintings and pole-like sculptures with colourful stripes in a white-walled gallery space where two visitors are viewing the artworks.
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Exhibition review: REKOSPECTIVE: The Art of Reko Rennie, The Ian Potter Centre: NGV Australia

While offering eye candy aplenty, this survey of Kamilaroi artist Reko Rennie dives into his practice as an act of…

A dark-haired woman is holding up a book with a black cover. Behind her are black and white images of crime scenes and information.
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Theatre review: He Had It Coming, The Provincial Hotel

Infamous murderesses and attackers tell their stories, leaving the audience to judge whether they were justified.

In a production of 'Years Years Bears', two women in colourful headscarves and sunglasses. One is standing behind the other and placing her hand over the other woman's mouth.
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Theatre review: Years Years Bears, Trades Hall

A promising mystery story still finding its feet.

Two panels. On the left is author Zoë  Foster Blake, wearing a tan long sleeve top. She has short dark hair. On the right is the cover of her book, in white handwriting against a clash of different colours and design.
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Book review: Things Will Calm Down Soon, Zoë Foster Blake

The pitfalls and rewards of juggling business and a personal life: a guide in fictional form.

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Theatre review: Why Not Believe in Everything?, Club Voltaire

Laura Fisher’s first play is poetic, vibrant and very funny. 

A performer on stage who is of Asian descent with a female-appearing body, wearing a nude slip. The performer is sitting on the side, holding a cup on top of the coffee machine and balancing a book on their head.
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Performance review: Girl's Notes, Melbourne Recital Centre

A performance that took inspiration from a book on how women should behave.

Multi screen video installation in black and white of woman looking at African objects. Isaac Julien.
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Exhibition review: Isaac Julien, Once Again... (Statues Never Die), MCA

A spectacular exhibition asks the big questions about how museums collect, and show, artworks with Black histories.

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