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Qui a tué mon père. A man sits on a stage in front of a backdrop projection of an open road.
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Theatre review: Qui a tué mon père (Who Killed My Father), Adelaide Festival

A personal polemic addressing France’s neglect and contempt of the working class poor.

Exhibition view of hanging organic paper paintings. Neoterica
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Exhibition review: Neoterica, Adelaide Festival

20 artists and 20 writers commissioned in a celebration of South Australian contemporary art.

The 39 Steps. A man in a 30s type beige three-piece suit with a pencil moustache is on top of a box, pursued by two men dressed as police officers, also on boxes - all made to look as if it's a chase sequence on a train.
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Theatre review: The 39 Steps, Chapel off Chapel

Inspired by Buchan's novel and Hitchcock's film, this award-winning play is a highly energetic iteration.

A scaffolding like set has several bodies positioned within it silhouetted against a lit backdrop. The Threepenny Opera.
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Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival

Searing satire and a rage against capitalism wrapped up in a love story.

Blue bench with white text painted on it in a gallery setting.
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Exhibition review: Yucky, Adelaide Contemporary Experimental

A timely exhibition that explores notions of agency and choice by artists living with disability.

exhibition of ceramic teapots. Bruce Nuske
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Exhibition review: Bruce Nuske, Samstag Museum of Art

Maximalist ceramicist Bruce Nuske and minimalist designer Khai Liew are an unlikely pair, but their collaboration overwhelms with a sense…

Candlelight: A Tribute to Mitski. Image is a old theatre stage with a string quartet surrounded by dozens of battery operated candles.
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Music review: Candlelight: A Tribute to Mitski, Athenaeum 

A string quartet's fine interpretation of the music of Mitski.

‘Joy’, installation view at Immigration Museum. Photo: ArtsHub. A corridor with neon plastic mobiles hanging overhead that reflect light onto both sides of the walls. The space is lit in purple light with more shaped mirrors at the end of the corridor.
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Exhibition review: Joy, Immigration Museum

Sometimes an art critic's opinion doesn't matter...

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Exhibition review: Ten Thousand Suns, 24th Biennale of Sydney

An exhibition shaped by global connections and new learnings – a refreshing edition of the Biennale of Sydney.

Private View. Image is of a man with Down's syndrome standing in a room looking out of a window and holding a billowing yellow curtain. In the middle of the room is a smalll round table with a lit candle on it and two chairs. In the right hand top corner is a female figure in a slinky figure hugging red dress, with a lampshade obscuring her face and head.
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Dance review: Private View, Adelaide Festival

Stories of love and desire by dancers with and without a disability.

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