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Two panels. On the left is author Garrett Carr who has grey hair and beard and wearing a navy blue shirt. On the right is the cover of his book 'The Boy From the Sea' that feature a young boy on the left looking at the sea with seagulls flying above.
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Book review: The Boy from the Sea, Garrett Carr

An abandoned baby is found and adopted into a struggling family.

The Australian Ballet's 'Carmen', 2025, choreographed by Johan Inger, featuring Jill Ogai in the role of Carmen. A dark-haired woman in a red, ruffled dress, her legs bare, gestures dramatically and powerfully towards the camer. Three man are faintly visible in the gloom behind her. All four people are ballet dancers performing in the ballet 'Carmen'.
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Ballet review: Carmen, Regent Theatre

A fresh interpretation of a centuries old story that sizzles and provokes on stage.

Isabel & Alfredo Aquilizan, 'REFLECTIONS/HABITATIONS', 2025. Installation view, 'Thinking together: Exchanges with the natural world', Bundanon, 2025. A large sculpture made from recycled cardboard in minimal gallery setting. Aquilizan
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Exhibition review: Thinking together: Exchanges with the natural world, Bundanon

An exhibition that communes with nature in surprising and disparate ways.

A woman in a shoulder less black top with short bleached hair sings in to a microphone. She looks a little tortured. Cat Power. Port Fairy Folk Festival.
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Music review: Cat Power Sings Dylan, Port Fairy Folk Festival

When a performer truly shows their vulnerability, sometimes that can give rise to the greatest gigs of all.

A man wearing sparkly top and pants is mid pose. His face is hidden by his hand touching his hat.
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Musical review: MJ The Musical, Sydney Lyric Theatre

‘MJ the Musical’ is a dazzling production. But be warned: you may come away from it feeling uncomfortable, sad and…

left panel: a cinema audience with a huge red plush curtain and a small screen with the words My Brilliant Career on it. right panel: a middle aged Caucasian man in a beige jacket and blue shirt holding a microphone
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Book review: Melbourne and the Movies, Ross Campbell

A wonderfully rich treasure trove recounting the history of the silver screen in Melbourne through the eyes of a true…

A series of vases on plinths. Some are plain, others are blistered.
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Exhibition review: Rachel North: Anthology of memory, Ipswich Art Gallery

An emerging ceramicist from regional Queensland embodies the Japanese principle of wabi sabi this International Women’s Day.

A young Cantonese Australian woman striking a funny pose with one hand behind her head and another on her waist, wearing a red Chinese-style jacket with floral patterns. Beside her is a cream-coloured robot dog with tan fluffy ears and blue glowing eyes. They are standing in front of an altar, among a loose cluster of red and blue nylon bags.
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Theatre review: The Robot Dog, Southbank Theatre, The Lawler, Asia TOPA 2025

In the year 2042, a woman attempts to sort out her life while coming to terms with her mother's therapy…

A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Two panels. On the left is author Josie McSkimming, who has fair hair and is wearing a teal top. On the right is the cover of her book, 'Gutsy Girls", which is black with a photo in the middle of a woman, Dorothy Porter.
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Book review: Gutsy Girls, Josie McSkimming

What was it like growing up as a sister of rock star poet Dorothy Porter?

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