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Two panels. The left is of author Helen Garner, an elderly woman with short grey hair wearing a black top with her arm crossed. On the right is the cover of her book 'The Season.' It features a group of young boys on a footy field tackling each other.
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Book review: The Season, Helen Garner

Over a single footy season, Helen Garner explores the travails of the game, as well as offering an overarching look…

Anyma, a man in black with his back to us facing some silver metallic music decks.
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Music review: Anyma’s Genesys, Flemington Racecourse, ALWAYS LIVE Festival

Anyma’s Genesys was an electronica-induced endorphin rush.

Duplicate images of musician Chet Faker in shades of brown. He is holding a microphone stand.
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Music review: Live At The Gardens with Chet Faker, ALWAYS LIVE Festival

Live At The Gardens with Chet Faker teased what it’s like to be in Melbourne for a summer of music,…

Façade of Her Majesty's Theatre at night and lit up.
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Performance review: Resurgence: Opening Night Gala, Her Majesty's Theatre, Ballarat

A celebration of Ballarat’s culture, creativity and arts scene.

A room that features an sculpture in the centre as well as a couch and a painting.
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Exhibition review: The Limits of My Language Are the Limits of My World, Gertude Glasshouse

Emerging Curator award-winner Annabel Brown blends art with academia to create a fascinating but muddled message. 

Four performers are barely visible as they overlaid by a scramble of letters.
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Theatre review: The Comprehensive A-Z of Missing Persons Australia, The Liberty Theatre

A multimedia exploration into the plight of the missing.

An Aboriginal woman in a printed blouse is laughing.
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Theatre review: Watersong, Clubhouse Theatre, Townsville

A stunning production by Townsville-based First Nations actors and playwright mines generational family drama.

Jesse Homes (as the Prince) is holding onto Chihiro Nomura (Princess Aurora) as she lays almost horizontal to the ground. A ballet ensemble surrounds them. The Sleeping Beauty.
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Ballet review: The Sleeping Beauty, His Majesty's Theatre

A classic story performed in the traditional style marks WA Ballet's final show for the year.

A fabric and skeleton of a dinosuar arranged on a balustrade by artist Mark du Potier.
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Exhibition review: Mark du Potiers: Some Days My Skin Just Isn’t So Thick, Queensland Multicultural Centre

Queer Asian Australian artist, Mark du Potiers, delicately deconstructs discrimination through his assemblages and needlework.

A white room with a window on the right hand side. There's an artwork of a headless torso in the middle of the room.
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Exhibition Review: Tarik Ahlip: Kara Toprak, Schmick Contemporary

This exhibit brings the transformative relationship between writing and sculpture to its pure physical presence – gilded by gold and…

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