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FILM REVIEW: Chandni Chowk To China

Chandni Chowk To China is the first ever Bollywood Kung-Fu comedy produced by Warner Bros, who clearly must have had…

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THEATRE REVIEW: The Mikado

It has been more than a decade since Simon Gallagher’s production of The Mikado has played Adelaide.

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VISUAL ART REVIEW: Shiva Amir-Ansari

The sense of a tremendous force, vastness and beauty that elicits awe, fear and veneration.

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THEATRE REVIEW

Playspotting, presented by Melbourne Writers' Theatre & MelBorn08 at the Carlton Courthouse as part of the Melbourne International Fringe Festival,…

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THEATRE REVIEW: Miss Julie, Vanilla Productions, Belvoir St Downstairs (Sydney)

Dark, gripping and intense, this production of Strindberg's Miss Julie, directed by Vladislavs Nastavshevs, is given a powerhouse performance by…

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REVIEW: Mathinna, Bangarra Dance Theatre - National

One of the greatest things about Stephen Page’s choreography is the way he is able to tell a story through…

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REVIEW: <i>Silk + Sand</i>, Ivan Dougherty Gallery, Paddington

In 1993 Australian printmaker Michael Kempson met Chinese printmaker Su Xin Ping and expressed a wish to initiate a cultural…

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REVIEW: Emanuel Gat Dance Company - Adelaide Arts Festival

Forming his company in 2004, Israeli choreographer Emanuel Gat makes his Australian debut with three very personal and distinctive dance…

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REVIEW: Brindabella , BalletLab (Melbourne)

A contemporary dance adaptation of Beauty and the Beast (La Belle et La Bete) has a clear abundance of imagery…

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REVIEW: Over the edge of sanity, Melbourne Fringe Festival

Macabre, edgy, insane? Defector Art Theatre’s short play bonanza sure tries to be.

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