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The Great Housing Hijack. On the left is an author upper body shot of a young man with stubbly facial hair, a smile and a grey shirt. On the right is the book cover featuring the title and a range of small houses floating on clouds.
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Book review: The Great Housing Hijack, Cameron K Murray

A deconstruction of the housing debate and a proposal for a novel solution.

Beast in the Room. A stage set featuring packing pallets and foliage surround a middle-aged woman and a teenaged boy who sit downstage, crosslegged facing each other.
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Theatre review: Beast in the Room, Theatre Works

A short, sharp two-person show that packs a punch.

Tilda is Visible. On the left is an author image from the torso up of a Caucasian women with shoulder length centre parted strawberry blonde hair and red lipstick. She is wearing a white T shirt and smiling at the camera. On the right is a book cover with the title of the book in large yellow letters on pink and yellow background, slashed diagonally and a line drawing of a woman holding a camera.
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Book review: Tilda is Visible, Jane Tara

A novel about sisterhood and ageism that is poignant, surreal and empathetic.

Laure Prouvost, ‘Gathering Ho Ma, The glaneuse’, 2023, installation view at ACCA. Photo: ArtsHub. An installation of many components include a makeshift camp with red dirt and branches, seats, a hanging lightbulb shaped like a breast.
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Exhibition review: Laure Prouvost: Oui Move In You, ACCA

Layers of storytelling and humour that leave viewers wanting more.

Still from ‘Ryuichi Sakamoto | Opus’. Image: Supplied. A black and white image of Sakamoto, a Japanese man in his 70s with white hair, tortoiseshell glasses and a black blazer at the piano. He is sifting through some sheet music.
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Screening review: Ryuichi Sakamoto | Opus, Melbourne Recital Centre

With deep involvement from the late composer’s son and wife, ‘Opus’ captures Ryuichi Sakamoto in dazzling body and soul.

Surfacing. Image is a neon artwork placed on a gallery floor that says My... Sight with the middle word Soul not lit up.
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Exhibition review: Surfacing, Trocadero Projects

New and experimental photographic work and related writing from emerging artists.

Raw Salt. Image is a young woman with long dark wavy hair on the left standing in front of external foliage, body turned slight to her right, wearing black polo neck jumper under black and white patterned sleeveless dress. She has dark red lipstick and a slight smile. On the right is a book cover of close-up of a public phone push button pad, above the book's title in a grey stripe at the bottom.
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Book review: Raw Salt, Izzy Roberts-Orr

This debut poetry collection canvasses death and the environment, mourning and memory.

Teeth and Tonic. Two young women sit on a couch looking at a phone with raised eyebrows. One is in a short black dress with a red shirt over it and on the right is one with brown/black trousers and an apricot top.
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Theatre review: Teeth and Tonic, La Mama Courthouse

An exploration of misogyny but leavened with humour and friendship.

‘Melbourne Out Loud: Life through the lens of Rennie Ellis’ installation view at State Library Victoria. Photo: ArtsHub. A large double-channel video screen in a dim gallery space showing two photographic images. The one on the left is of an elderly man sitting beneath the sun topless, and the right is of a figure wearing a green floral dress with a hat covering the head, lying on the sand.
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Exhibition review: Melbourne Out Loud: Life through the lens of Rennie Ellis, State Library Victoria

A photography exhibition that transports a slice of life from the 70s and 80s to State Library Victoria.

Image is a large gallery space with a circular wall covered with a huge projection of parrots in their natural environment. On the floor in front of it are three small figures in silhouette.
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Exhibition review: BBC Earth Experience, Melbourne Convention Centre

An impressive blend of entertainment, education and environmental awareness.

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