Reviews

Theatre review: The Odd Couple, Comedy Theatre
Decades later, Neil Simon's play still feels sharp and relatable.

Opera review: Candide, Her Majesty's Theatre
A joyous musical confection and a colourful celebration of self-discovery.
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Opera review: Tosca, Margaret Court Arena
After not bringing staged operas to Melbourne last year, Opera Australia’s production of 'Tosca' wasn’t enough to quench the audience's…
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Performance review: FAKE, The Rechabite
This interactive exploration of our online 'realities' and our true selves proves a stirring journey.

Book review: The Changing Room, Belinda Cranston
A story of someone trying to come of age in a world of possibilities.

Performance review: Charles Maimarosia, Melbourne Recital Centre
Charles Maimaosia's intimate performance was spellbinding, soulful and energetic.
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Music review: Symphony Fantastic, QPAC
Love, lust and madness in an all-French program of delightful music with added extras. Â

Theatre review: The Word, Abbotsford Convent
A youthful cast of 11 grapple with meaning and the power and absence of words.

Exhibition review: Andrew Fyfe, Joanna Wolthuizen, Lee-Anne Raymond, Demetrios Vakras, SOL Gallery
SOL Gallery’s latest exhibition is another triumph of Melbourne’s artistic diversity and character.

Theatre review: Ulster American, Ensemble Theatre
Feminism, #MeToo, toxic masculinity, the Northern Irish ‘Troubles’ and the theatre itself are dissected in this provocative work.