Reviews
A Few Good Men review: a Hollywood classic turned Brisbane theatre blockbuster
Fans of Aaron Sorkin's film A Few Good Men film will spot the nods, and newcomers will find plenty to…
Data Dreams: Art and AI review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Cowbois review: no guns, no politics ... no purpose?
A blissful first act followed by a long downhill mosey, Cowbois fails to live up to its own publicity.
One Night Only review: form-melting theatre that scoops us up
One Night Only, a new collaboration from Rawcus, presented by Darebin Arts Speakeasy, soars and swoops through time and place.
Chanel Tobler at Nasha Gallery: 'Colour can be a form of medicine'
Emerging artist Chanel Tobler moves fluidly between mediums in this solo exhibition at Sydney's Nasha Gallery.
The Life and Death of King Lear review: maximal title, minimal production
In this telling of King Lear, Sydney’s Belvoir St Theatre presents a patchy, minimalist version of one of Shakespeare’s great…
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
William Corlett, King of the Mountains: 'I like the adventure'
Corlett's 500km trail run through the Blue Mountains in NSW is only part of what makes King of the Mountains…
Meow Meow’s Red Shoes review: a cabaret masterclass
You’re never quite sure where Meow Meow's cabaret caper is going, but it's so good you don’t care.
Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.