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A long haired man (Tim Winton) is seated on the left and the cover for his book Juice with white text on a black and orange background on the right.
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Book review: Juice, Tim Winton

Tim Winton returns with a new novel that marks a departure into cli-fi.

A middle-aged woman in a dressing gown is standing a few metres away from a young woman dressed in shades of brown in 'The Almighty Sometimes.'
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Theatre review: The Almighty Sometimes, Adelaide Festival Centre

Mental illness in the young displayed with nuance and sensitivity.

A woman, Sahara Beck, wearing a white and black outfit is standing with a microphone. A drag queen in a black leotard, is standing beside her, back to back.
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Performance review: Bite Club: 2nd Serve, Arts Centre Melbourne

The Brief's Factory troupe returns to entertain and scandalise with their circus tricks.

Two men and two wome are seated. All are drinking. All are wearing colourful clothes. The design colours are bright graphic prints.
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Theatre review: The Puzzle, Dunstan Playhouse

State Theatre South Australia celebrates 50 years of the Dunstan Playhouse with a David Williamson world premiere.

a pair of vintage water skis on a boat shed door in an exhibition. 'Accidentally Wes Anderson'
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Exhibition review: Accidentally Wes Anderson, Melbourne CBD

You don't have to be an Anderson fan to enjoy this exhibition, but you definitely need to admire his aesthetic.

Artwork by Khaled Sabsabi hang from the ceilings. There is a video still on the left.
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Exhibition review: Khaled Sabsabi, The Lock-Up

A significant survey of works from the renowned Lebanese Australian artist.

Two panels. On the left is author Christian White, a Caucasian man in a dark jumper with short cropped brown hair. On the right is the cover of his book with 'The Ledge" in block white font against a cliff face.
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Book review: The Ledge, Christian White

A novel for lovers of challenging mysteries.

gallery view of traditional paintings. Ngununggula
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Exhibition review: The Art World Came to Us: Macquarie Galleries, Ngununggula

A look a how three women gallery directors nurtured and shaped Australian art history.

An Indian man, Delhi Buoy, in a white T-shirt and a black cap is standing with his arms spread out.
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Comedy review: The Racist Immigrants, Sydney Fringe Festival

POC comedians indulge and take a swipe at ethnic stereotypes.

coiled shiny gold fabric sculpture on gallery floor. Tarryn Gill.
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Exhibition review: Tarryn Gill: Soft, Gallery Sally Dan Cuthbert

Soft sculptures that challenge our perceptions of the body.

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