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pink tones of back lighting with group of dancers silhouetted against it. Angelica Mesiti
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Exhibition review: Angelica Mesiti: The Rites of When, AGNSW

Angelica Mesiti delivers a complex and immersive video work, but it is overshadowed by the architecture of the Tank gallery.

The stage is dark except for a spotlight shining over Nicci Wilks in the production of 'BAD BOY".
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Theatre review: BAD BOY, fortyfivedownstairs

A one-person show exploring toxic masculinity and domestic abuse.

A woman in a sari is sitting next to a bearded man with a blue shirt and dark pants in the stage show of 'Ten years to Home.'
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Theatre review: Ten Years to Home, KXT on Broadway

An autobiographical play that traverses the universal themes of migration, identity and belonging.

Two panels. On the left is a black and white photo of a woman with shoulder length hair and a pale scarf looking into the distance. On the right is the cover of a book with "The Burrow" in red font on the top and a small rabbit on the bottom.
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Book review: The Burrow, Melanie Cheng

A new pet rabbit becomes the focal point for a grieving family.

Two panels. On the left is a black and white photo of author C A Wright, who has long dark hair. She is wearing a sleeveless white top. On the right is her book, with 'Skysong' written vertically in the centre and surrounded by flowers, birds and birdcages.
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Book review: Skysong, C A Wright

A reimagining of the classic Hans Christian Andersen fairytale.

A bearded man is sitting in the middle surrounded by three women in the production of 'Don Giovanni.'
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Opera review: Don Giovanni, Meat Market Stables

The delivery of a BDSM centric interpretation of a classic opera is rough around the edges

A Middle Eastern man in a green fluro top is holding a slice of watermelon.
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Comedy review: Big Nose Big Dreams, Sydney Fringe Festival

A debut solo show from an Egyptian-Australian writer and comic who avoids the usual diaspora stories.

a close up of ballerinas' feet with lit up tutus. We Call it Ballet: Sleeping Beauty
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Dance review: We Call It Ballet: Sleeping Beauty, Capitol Theatre

Fluoro-lit ballet that has little to do with the classic fairytale.

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Performance review: Pride and Prejudice – An Adaptation in Words and Music, Arts Centre Melbourne

A dramatic reading of the beloved Austen novel, with musical accompaniment.

Gallery setting with white pebble floor and mirror stip with stone boulders. Lee Ufan.
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Exhibition review: Lee Ufan: Quiet Resonance, AGNSW

First Sydney solo exhibition from one of the world's most highly regarded minimalist artists.

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