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Against pink swirly drapes, a man and a woman are sitting on chairs. She on the left is dressed in an old fashioned dress and a wide brimmed hat and carrying a clipboard. He is wearing modern clothes: pants and a shirt. He has his arms wide, in the middle of talking.
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Theatre review: The Platypus, Theatre Works

An unflinching play based on real experiences that hits a little too close to home.

‘Joke Taxonomy’, installation view at 138 Gallery. Photo: Supplied. A brown wooden panelled gallery space with readymade objects including a pair of pink Dino chairs, a litter box, and a small trophy.
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Exhibition review: Joke Taxonomy, 138 Gallery

Here, humour comes easily but the provocation lingers.

Photo of asylum seekers captured by Barat Ali Batoor, in ‘Searching for Photo courtesy of Barat Ali Batoor. The composition of the photo has highlighted two asylum seekers wearing orange life jackets on a boat. One is looking towards the camera, his hair wet, and eyes round.
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Exhibition review: Searching for Sanctuary, State Library Victoria

Barat Ali Batoor’s mesmerising multimedia portrayal of his perilous journey from Afghanistan to Australia pushes the boundaries of photojournalism.

A woman with her hair in a bun is standing spotlit in centre of stage. She is wearing silver blouse and black pants and carrying a bouquet of roses. Petals are strewn below her. A band can be seen playing around her, in semi darkness.
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Theatre review: Master Class, Ensemble Theatre

Terrence McNally’s play about opera legend Maria Callas gives us a masterclass in stagecraft.

Two panels. On the left is a headshot of man with brown hair and a stubble. On the right is the cover of a book with 'Fool Me Twice' in yellow against a red background. "Benjamin Stevenson' is printed upside down.
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Book review, Fool Me Twice, Benjamin Stevenson

Two baffling mysteries in one book, one featuring a kidnapping, the other a reality TV show.

A brunette woman wearing a sparkly pink dress is looking to the side.
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Performance review: Christina Bianco: In Divine Company, Adelaide Cabaret Festival

All our favourite divas came together in one slick show.

Two panels. The left shows a photo of an Asian woman with long black hair, wearing a white dress and carrying a pink rose. The right panel shows the book cover of 'Safe' Space, which is pink.
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Book review: Safe Space, Alyssa Huynh

A memoir that tracks the author's lived experience with racism as an Asian-Australian woman.

A grid of 18 prints in shades of blue are attached on a wall.
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Exhibition review: Michelle Hamer: I'm a Believer, Linden New Art

A series of prints that explores chronic health issues through a lens of gendered language, access, and erasure.

Two panels. On the left is the cover of the book with 'The Work' written on a diagonal slant in white and yellow against a skyscraper background. On the right is a blonde woman wearing a white blouse standing against large window panes.
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Book review: The Work, Bri Lee

Old and new art mix with old and new values in this debut novel from Bri Lee.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous 19th century dancer and performer.

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