Reviews
Christmas Actually review: come on and let it show
Christmas Actually is a rollicking good time sure to have audience members dancing in the aisles.
After the Rain: 5th National Indigenous Art Triennial review – Tony Albert setting wrongs right
This Triennial by Tony Albert is all heart, but it also asks the big questions.
Kaylene Whiskey review: offering super-powered conversations
Move over Dolly and Cher. Kaylene Whiskey’s survey at the National Portrait Gallery is more layered than you think.
Orpheus & Eurydice review: a magisterial marvel
Opera Australia’s collaboration with Circa breathes dazzling new life into Gluck’s mythology-mining Orpheus & Eurydice.
Iksha II review: myth made human at Seymour Centre
With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.
Goodbye Aunty Flo review: sisterly sass and menopause
Goodbye Aunty Flo is a heartwarming and laugh-out-loud funny play about learning to accept change.
A Few Good Men review: a Hollywood classic turned Brisbane theatre blockbuster
Fans of Aaron Sorkin's film A Few Good Men film will spot the nods, and newcomers will find plenty to…
Data Dreams: Art and AI review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Cowbois review: no guns, no politics ... no purpose?
A blissful first act followed by a long downhill mosey, Cowbois fails to live up to its own publicity.
One Night Only review: form-melting theatre that scoops us up
One Night Only, a new collaboration from Rawcus, presented by Darebin Arts Speakeasy, soars and swoops through time and place.