Reviews
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
William Corlett, King of the Mountains: 'I like the adventure'
Corlett's 500km trail run through the Blue Mountains in NSW is only part of what makes King of the Mountains…
Meow Meow’s Red Shoes review: a cabaret masterclass
You’re never quite sure where Meow Meow's cabaret caper is going, but it's so good you don’t care.
Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.
Cinderella review: having a ball at His Majesty’s Theatre, WA
The timeless Cinderella tale finds new life in this year's end production by WA Ballet.
UP THERE (Boorloo) review: journey into Perth's forgotten corners
Led by Up There Collective, UP THERE (Boorloo) is an unusual performance and walking tour that invites participants to see…
Much Ado About Nothing review: belly laughs and barbs from the Bard
Shakespeare’s mid-career comedy is given a gleeful airing in the MTC’s first new staging of the work in 30 years.
The Hiding Place review: a wicked satire of modern life
In Kate Mildenhall's crime novel The Hiding Place, being a good person is harder than you think.
Silence is my Habitat: Jessica White's essays are a powerful search for connection
In the moving non-fiction collection Silence is my Habitat, Jessica White considers the impact of deafness and environment on her…
Titus Andronicus review: a deep cut of the Bard's bloodiest revenge play
Taking on the Titus Andronicus is no easy feat, though this impressively scaled Theatre Works production takes a good stab…