Reviews
William Corlett, King of the Mountains: 'I like the adventure'
Corlett's 500km trail run through the Blue Mountains in NSW is only part of what makes King of the Mountains…
Meow Meow’s Red Shoes review: a cabaret masterclass
You’re never quite sure where Meow Meow's cabaret caper is going, but it's so good you don’t care.
Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.
Cinderella review: having a ball at His Majesty’s Theatre, WA
The timeless Cinderella tale finds new life in this year's end production by WA Ballet.
UP THERE (Boorloo) review: journey into Perth's forgotten corners
Led by Up There Collective, UP THERE (Boorloo) is an unusual performance and walking tour that invites participants to see…
Much Ado About Nothing review: belly laughs and barbs from the Bard
Shakespeare’s mid-career comedy is given a gleeful airing in the MTC’s first new staging of the work in 30 years.
The Hiding Place review: a wicked satire of modern life
In Kate Mildenhall's crime novel The Hiding Place, being a good person is harder than you think.
Silence is my Habitat: Jessica White's essays are a powerful search for connection
In the moving non-fiction collection Silence is my Habitat, Jessica White considers the impact of deafness and environment on her…
Titus Andronicus review: a deep cut of the Bard's bloodiest revenge play
Taking on the Titus Andronicus is no easy feat, though this impressively scaled Theatre Works production takes a good stab…
Cocteau’s Circle review: champagne sparkles with the ACO
Led by the inimitable Le Gateau Chocolat, the Australian Chamber Orchestra’s Cocteau’s Circle is sublime.